Gwen Verdon became a professional performer at 22 -- rather late for a dancer, though she managed to make up for lost time by becoming one of the top Broadway personalities of the 1950s and 1960s. Before this happened, however, Verdon was a "gypsy," bouncing around from one chorus job to another. She essayed brief dancing roles in such 20th Century Fox films as On the Riviera (1951), David and Bathsheba (1951), and Dreamboat (1952). Reportedly, she and Carol Haney worked as choreography assistants to Gene Kelly in 1952's Singin' in the Rain. (Verdon later claimed that she and Haney post-dubbed some of Kelly's taps in the title number, standing ankle-deep in a drum full of water to match the soggy onscreen action.) In 1953, Verdon went to Broadway to star in Cole Porter's Can Can, winning a Tony and Donaldson award as a result; likewise honored with Tonys were her subsequent performances as Lola in Damn Yankees (a role she repeated for the 1958 film version) and the title roles of New Girl in Town (a 1957 musical version of Anna Christie) and Redhead (1958). In 1968, she starred in Sweet Charity, which like many of her earlier Broadway triumphs was choreographed by her longtime husband Bob Fosse. Her last Broadway show was 1975's Roxie Hart, directed by her now ex-husband Fosse; after this, she gave her lovely legs a long rest and concentrated on straight acting. Returning to films in 1984, Gwen Verdon was seen in character parts in such films as Cotton Club (1984), Cocoon (1985), and Alice (1990). She died in October 2000 at the age of 75.