Bio

Veteran American silent screen actress Ruth Clifford began her career at the tender age of 16, starring for various Universal companies, often opposite the much older Monroe Salisbury, a Briton whose ill-fitting hair-piece, according to Clifford, made love scenes rather awkward. Clifford played Ann Rutledge in Abraham Lincoln (1924), but overall her career was on the wane when she struck up a lifelong friendship with director John Ford in the late '20s. Along with another early silent screen actress, Mae Marsh, Clifford would turn up in about every other Ford film, usually playing pioneer women. In more glamorous surroundings, Clifford and Marsh stole the limelight for a brief moment as aging saloon belles in Three Godfathers (1948), and, away from Ford, Clifford was the studio head's secretary in Wilder's Sunset Boulevard (1950). Her last recorded appearance was in Ford's Two Rode Together in 1961; she was billed merely as "Woman." Although not known for enjoying interviews, Clifford was keenly interested in film history and made appearances in two documentaries on the subject: the 1984 Ulster Television program A Seat in the Stars: The Cinema and Ireland and historian Anthony Slide's groundbreaking The Silent Feminists: America's First Women Directors. In the latter, Clifford discussed the work of Elsie Jane Wilson, her director on both The Lure of Luxury (1918) and The Game's Up (1919). As old as the century, Ruth Clifford retained her hearty laugh and a wonderful sense of humor until the end.
celebrity-postercelebrity-poster

Ruth Clifford
February 17, 1900 - November 30, 1998 (aged 98)
Pawtucket, Rhode Island, USA

Bio

Veteran American silent screen actress Ruth Clifford began her career at the tender age of 16, starring for various Universal companies, often opposite the much older Monroe Salisbury, a Briton whose ill-fitting hair-piece, according to Clifford, made love scenes rather awkward. Clifford played Ann Rutledge in Abraham Lincoln (1924), but overall her career was on the wane when she struck up a lifelong friendship with director John Ford in the late '20s. Along with another early silent screen actress, Mae Marsh, Clifford would turn up in about every other Ford film, usually playing pioneer women. In more glamorous surroundings, Clifford and Marsh stole the limelight for a brief moment as aging saloon belles in Three Godfathers (1948), and, away from Ford, Clifford was the studio head's secretary in Wilder's Sunset Boulevard (1950). Her last recorded appearance was in Ford's Two Rode Together in 1961; she was billed merely as "Woman." Although not known for enjoying interviews, Clifford was keenly interested in film history and made appearances in two documentaries on the subject: the 1984 Ulster Television program A Seat in the Stars: The Cinema and Ireland and historian Anthony Slide's groundbreaking The Silent Feminists: America's First Women Directors. In the latter, Clifford discussed the work of Elsie Jane Wilson, her director on both The Lure of Luxury (1918) and The Game's Up (1919). As old as the century, Ruth Clifford retained her hearty laugh and a wonderful sense of humor until the end.

Appears In

Scroll Left
Scroll Right
COMPANY

AboutPrivacy PolicyTerms of Service